Scene
|
Shot
|
Type
|
Description
|
Done?
|
1
|
EST
|
|
Establishing shot of the
road (our location)
|
o
|
2
|
P
|
WTR
|
Panning shot of the common, slowly moving from left to
right
|
o
|
3
|
POV
|
NOD
|
Introduction of Frederico through a Myles point of view
shot. The nodding will involve relational editing
|
o
|
4
|
2S
|
MS
|
Characters walking, talking and messing around
|
o
|
5
|
2S
|
MS
|
While showing both characters speaking, Myles phone rings
|
o
|
6
|
IS
|
ECU
|
Extreme close up of Myles’ ringing phone in his hand
|
o
|
7
|
CU
|
|
Close up on Myles’ reaction to unknown number
|
o
|
8
|
ELS
|
CA/
POV
|
Shouting of Myles’ & Frederico’s name causes them to
turn around. They see a group of boys in the far distance
|
o
|
9
|
ECU
|
|
Extreme close up of Myles’ face reaction
|
o
|
10
|
ECU
|
|
Extreme close up of Frederico’s face reaction
|
o
|
11
|
LAS
|
|
*Camera drops to the ground* It captures Myles &
Frederico sprinting off
|
o
|
12
|
POV
|
|
Filming of Myles and/or Frederico running
|
o
|
13
|
LA
|
CU
|
Camera films only our feet running, while shouts are heard
in the background
|
o
|
14
|
LA
|
MS
2S
|
Shot of Myles & Frederico climbing a gate
|
o
|
15
|
OSS
|
|
Over the shoulder shot of the unknown chasers shouting at
Myles & Frederico through the gate.
|
o
|
16
|
CI
|
CU
|
Cut in shot of a school caretaker shouting at the chasers
|
o
|
17
|
|
|
*NEXT SCENE*
|
o
|
18
|
2S
|
|
Both boys filmed sitting next to each other gasping for
breath
|
o
|
19
|
CU
|
|
Myles confiding in Frederico
|
o
|
20
|
CU
|
|
Frederico confiding in Myles
|
o
|
21
|
2S
|
HA
|
Continuity editing and accelerating time is used, while
titles come across the screen as the scene ends
|
o
|
Shot ‘Type’ Glossary
EST
|
Establishing Shot
Usually extremely wide, and sets the
location/setting for the scene.
|
ELS
|
Extreme Long-Shot
Subject is visible, placing them in
their setting. Between EST and LS.
|
LS
|
Long-Shot
Subject takes up all or nearly all of
the full height of the frame.
|
MS
|
Mid-Shot
Shows some part of the subject in
detail whilst giving an impression of the rest of the subject.
|
MCU
|
Medium Close-Up
Halfway between the MS and CU.
|
CU
|
Close-Up
A certain feature or part of the
subject takes up the entire frame.
|
ECU
|
Extreme Close-Up
Shot getting much closer to a subject
to show more detail.
|
HA
|
High Angle
Camera in a high location, looking
down.
|
LA
|
Low Angle
Camera in a low location, looking up.
|
CA
|
Cutaway
A shot of something other than the
current action.
|
CI
|
Cut-In
Shows some part of the subject in
detail. Interview.
|
2S
|
Two-Shot
Shot of two people at once,
comfortably framed in a mid-shot.
|
OSS
|
Over-the-Shoulder Shot
Looking from behind one person to the
subject.
|
POV
|
Point-of-View Shot
Shot from the subject’s perspective.
|
NOD
|
Noddy Shot
Usually refers to a reverse shot on
an interviewing nodding or otherwise responding to a subject.
|
WTR
|
Weather Shot
The subject is the weather.
|
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